Hester Baer
Associate Professor

Dr. Hester Baer joined the faculty of the University of Maryland in Fall 2013, and she serves as the Department Head and Graduate Director in Germanic Studies. She is also a core faculty member in Film Studies and Comparative Literature, and an affiliate faculty member in Women's Studies. Baer is co-editor of the journal Feminist German Studies: http://www.womeningerman.org/feminist-german-studies/

Professor Baer's research interests focus on gender and sexuality in film and media; historical and contemporary feminisms; environmental humanities; and German literature and culture in the 21st Century. She is the author of Dismantling the Dream Factory: Gender, German Cinema, and the Postwar Quest for a New Film Language (Berghahn Books, 2009) and the co-editor of a special issue of Camera Obscura, "Women's Film Authorship in Neoliberal Times: Revisiting Feminism and German Cinema" (2018). Baer is currently at work on a new book, German Cinema in the Age of Neoliberalism, 1980-2010. Articles related to this project include "Das Boot and the German Cinema of Neoliberalism," published in German Quarterly (2012) and "Affectless Economies: The Berlin School and Neoliberalism," which appeared in Discourse (2013).

Together with Professor Michele Mason (Japanese, UMD), Baer is the co-organizer of "Nuclear Futures in the Post-Fukushima Age," a collaborative research and teaching project that interrogates the concept of futurity in the context of environmental activism and artistic engagement with atomic issues from 1945 to the present.

Baer is a project leader of the Digital Feminist Collective, a research commons focusing on digital feminisms: http://www.artsrn.ualberta.ca/feminism/ Articles emerging from this collaboration include "Redoing Feminism: Digital Activism, Body Politics, and Neoliberalism" (Feminist Media Studies, 2015) and "Digital Feminisms and the Impasse: Time, Disappearance, and Delay in Neoliberalism," co-authored with Carrie Smith-Prei and Maria Stehle (Studies in 20th & 21st Century Literature, 2016). Baer has also served as the guest editor of a special issue of Studies in 20th & 21st Century Literature (2011), entitled "Contemporary Women's Writing and the Return of Feminism in Germany"; and a co-editor of German Women's Writing in the Twenty-First Century (Camden House, 2015). She is also the translator and co-editor of The Blessed Abyss: Inmate #6582 in Ravensbrück Concentration Camp for Women by Nanda Herbermann (Wayne State UP, 2000), originally published in Germany in 1946.

Professor Baer received her Ph.D. in German from Washington University in St. Louis, where she also earned a graduate certificate in Women's Studies. Her education included a fellowship from the German Academic Exchange Service (DAAD) to conduct research in Berlin and exchange years in Tübingen and Vienna. After completing her degree, she spent a year at Duke University as the Lisa Lee and Marc Ewing Postdoctoral Fellow in German Studies and Women's Studies. Before coming to Maryland, Professor Baer taught German and Women’s and Gender Studies at the University of Oklahoma, where she was named Associates Second Century Presidential Professor. Baer has served as the President of the South Central Modern Language Association and as the President of Women in German. The recipient of a Fulbright award for travel to Germany in 2004, she spent summer 2012 in Berlin on a DAAD Research Visit Grant to conduct research for her book project on German cinema and neoliberalism. In 2014-15, she held the Clara and Robert Vambery Distinguished Professorship of Comparative Studies at UMD and was a fellow at the Maryland Institute for Technology in the Humanities.

At the University of Maryland, Baer teaches a wide range of courses in German language, literature, and culture, film studies, and theory. Her recent undergraduate courses include "Thinking, Feeling, and Sensing: Film Theory and the Experience of Cinema," "Feminist Film and Media Theory," "Berlin - Capital of the 20th Century" and "Nazis, Terrorists, and Spies: Coming to Terms with the Past and Present in Recent German Film." Her graduate seminars include "German Literature in the 21st Century," "Weimar Culture," and "Transnational Theory and Criticism." 

Jimenez Hall
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